The global scathe of World War II, pgraphicsicularly the events that took out at Auschwitz and Hiroshima, caused dramatic changes in the visual arts. impudently ideas and criticisms of stopping post and society had come about, and artists were responding--consciously and unconsciously--to the war. New ideas about the arts had emerged unawares afterward the war. The long-standing notion that the arts touch society to a greater extent civil and raise people above their instincts of fear and madness was be untrue. Consequently, arts very right to exist came into question. In 1949, Theodor Adorno declared in his essay, Cultural Criticism and Society, that to go on penning poetry after Auschwitz is barbaric. He argued that sunrise(prenominal)-fangled rules and conventions for art mustiness be found and the old ones must be abandoned. One major attempt in creating these new rules and conventions is when arts main precaution shifted from object-making to performativity . Jackson Pollock was among the maiden to make this transition. With his all-over drip paintings of the later(a) 1940s, he had successfully liberated painting into bonny a lovely of performance. His process has been described as a kind of dance with the canvas and paint. When examined closely, the viewer can describe the first marks made to the very last ones. In answer to the controversy surrounding his mode of painting, Pollock declared that New needs need new techniques...the modern jaguar cannot give tongue to this age, the airplane, the pinpoint bomb, the radio, in the old forms of the conversion or of every other past culture. His mention of the atom bomb proves that Pollocks method was a kind of response to the trauma of WWII. An artist as equally performative as Pollock was Lucio Fontana. In works such(prenominal) as Concetto Spaziale, Fontana attacks the surface of the canvas, thereby focusing the viewers attention... If you emergency to possess a full essay! , order it on our website: OrderEssay.net
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