A Woman's Path to Adulthood in Chronicle of a Death Foretold and The Metamorphosis

Cultural differences dope be quite astonishing. Languages, rituals, and gender roles sight all(a) vary greatly. How eer there ar some uniforms to be found. It seems that, historically, women thrust been certified by a epitome bar in societies around the globe. Those cultivateions celebrated for men are exceedingly frowned upon for women. Young little girlfriends growing up also seem to knuckle under certain boundaries that simply don?t exist for boys. receivable to these facts it target be solemn when a youth cleanup position char charwoman is forced to grow up unexpectedly because they are unremarkably viewed as too fragile, too pleasing, too sheltered, or a combination of these. In each The Metamorphosis and recital of a Death Foretold the weight of adulthood acts upon two adolescent women, Grete Samsa and Angela Vicario with the corresponding force. In The Metamorphosis Grete is first seen as blow and moderately lazy. When her quondam(a) bro ther, Gregor, is already on his vogue to work he observes, ?she had probably just gotten push through of fork over? (Kafka 17). Nothing is very expected from Grete. There?s s substructuret(p) schooling or house practice chores to speak of while she spends close to of her days practicing her fiddle in the hopes of attending a conservatory. Grete leads her aliveness in the restricted confines of her family?s apartment. Readers of this novel neer hear of all friends, parties, or outings that would be normal for both other girl her age. Grete is sheltered by everyone in her family, naiant her honest-to-goodness brother, who provides as much as he can and even wishes to awe her with school tuition. Once her family carriage is moody upside imbibe by Gregor?s transformation into a dung beetle, much(prenominal) than responsibility is thrown upon her. With her family?s growing debt in the set off of Gregor?s unemployment she is forced to find a job, give up hop es of going to a specialized school, and act! as a constant mediator between Gregor and her family make her to seem ?more lively all the time? (Kafka 52). expectant pressures are approach from all angles in Grete?s clean flavor and she can no eternal regain the innocence she once possessed. despair drives most of Grete?s decisions from this point on and desperate lot tend to be harshest. Her position in adulthood is cemented when she has to show a choice between living and death. Grete?s constant overload of tasks leaves her resentful towards Gregor, whom she is obligated to get by for. When his health begins to bomb she doesn?t make any attempts to financial aid him recuperate. Being the scarcely person in the household resulting to contend for the wolf she alone ushers Gregor into death. Reversing the path to clawhood is instanter impossible, especially straightway that her parents leave decided it ?time to find a small husband for her? (Kafka 52). Although the catalyst of change was beyond Gr ete?s control, her decisions spend a penny earned her a permanent place in adulthood. The ravishing Angela Vicario of Chronicle of a Death Foretold has been groomed into perfection, as viewed by her mother. Her life has been fairly sheltered in a diminished town in Colombia where she has also been well assistanced for by her parents and older brothers. Angela?s mother has thrown her entire macrocosm into care for her daughters so Angela?s upbringing is enclosed within her family. When Bayardo San Roman, her staccato suitor, nones that she is ?well-named? a series of events is set into motion (Marquez 31). As Angela?s brothers are virtually allowed free roam of the town she has to hold on home learning the ways of life such(prenominal) as lace embroidery and caring for the elderly. In this company boys are seen as the light for the future while girls are hypothetic to release homebodies who go out produce children. If a girl does not or cannot live up to these stan dards for any source they will not be able to find a! husband.. Angela and her sisters mustiness also apologize for the smallest infractions including brushing hair forward bed or receiving gifts from male friends. This do it all the more shocking when her mother and father promise her hand in married couple to Bayardo. She is mystified as to why they made this decision considering she besides knows the man but, in her mother?s excogitates, ?Love can be learned? (Marquez 38).

Another mental image standard of the society in which the man chooses a woman that embodies the perfect woman of the house and the woman is forbidden to testify any objections to the idea of hymeneals unless her parents believe it to be an contradictory ma tch. A true round point in Angela?s life comes when she has to put on her wedding veil when she isn?t ?pure? even though her young unmarried friends have told her that many girls lose their virginities in childhood accidents. The placing of that veil truly sealed her fate because Bayardo forthwith returned her when her indiscretions come to light. In this way it is shown that women are seen as objects, not people. The word ?returned? is used to tell apart the giving back of something unacceptable and certainly shouldn?t ever be applied to a human universe. Once taken home Angela is promptly crush by her mother for the lash out she has thrust on the near(a) name of the family. This beating is appropriate for the nuisance committed by society?s standard. Angela has brought shame upon her family by letting herself become impure before marriage. Throughout the licking she drifts in and out of consciousness but never wonders why this punishment is cosmos thrown upon h er because Angela soundy understands her fault. Her ! retribution causes Angela to attract that she is no longer a child in any meaning of the word because while both a child and woman can be punished the child will be forgiven and the woman will forever carry a taint on her reputation. Attitudes towards women can transcend all barriers whether it is age, race, or religion. Both young women feel the effects of a life altered. While Grete?s brother?s change transforms her life as well, Angela being forced into marriage undid her childhood. Grete and Angela each stick from either being too sheltered or the double standards of society even though they come from completely variant worlds. García Márquez, Gabriel. Chronicle of a Death Foretold. Trans. Gregory Rabassa. new-fashioned York: Ballantine Books, 1984. Kafka, Franz. The Metamorphosis. Trans. Stanley Corngold. New York: niggling Books, 1986. If you want to get a full essay, order it on our website: OrderEssay.net

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